Windows 7 and Firewire problem. The firewire 1. Texas Instrument (TI) chipset from the link. My personal issue is the use of two Western Digital My. Exe cannot be found! How to fix Wave. Do you keep receiving error messages when playing games or using your computer? Ahh, so I am not the only one.!! Thanks, I will check over in the Steinberg forum but if anyone has any idea's let me know. Not played about too much but I only tried as I was going to slice up a hot off the 7.01 press / 44.1/16 file. I notice in that other thread it may be different bit rates?? Will have to try that tomorrow when I am back in the studio. Its only when I try to save. Dunno if Sonar keeps hold of something when shut down. ![]() ![]() I have a similar problem (happened for years with different versions) with ProTools when I try to open Sonar after running it (PT) I get immediate crashes in Sonar. Reboot fixes that. I will also try editing one bounced out of Sonar 6.21 see if they open/save OK. Hi, No I still have this problem with Sonar 7.01. If I edit and save a 44.1 16 WAV exported with Sonar 6.21 I have no problem. If I edit a file of the same spec with Sonar 7.01 It crashes and falls over. Broadcast Wav's If I export a 48 32 file in 7.01 it works fine. If I export a 44.1 32 file in 7.01 it works fine If I export a 44.1 24 file in 7.01 it works fine If I export a 44.1 16 file in 7.01 it crashes Since it still works (still) with exported files on Sonar 6.21 then I am assuming this is a bug in 7.01 unless someone can convince me otherwise. Any takers to test a Wav file? Dogz 5 for phone. There are no hidden costs, and nobody takes a percentage of your sales. Steinberg's Wavelab has spread its wings to become the only truly cross‑platform stereo editing package — and in the process, it's undergone a comprehensive makeover. On the PC, the most obvious competitor for Wavelab is still Sony's Sound Forge (now at version 10), which has (thankfully) reverted to including the excellent CD Architect Red Book CD-mastering functions in its arsenal, or you could look at all‑in‑one applications like Magix Samplitude (or its bigger brother Sequoia), and dedicated and rather more expensive systems like Sonic Solutions and SADiE. On the Mac, the main competition is probably BIAS Peak, arguably the most comprehensive stereo editor available on this platform, and, like most other packages mentioned here, available in various versions. Each of these applications has its own devout following, but Wavelab remains a very strong contender. Wavelab's minimum requirements are comparatively modest. The box states that it only needs 200MB of hard drive space, and runs on Windows 7 with 2GHz CPU and 1GB RAM, or Mac OS 10.6 'Snow Leopard' with an Intel CPU and 1GB RAM. However, practical day‑to‑day requirements for RAM and CPU may rise considerably if you want to load in lots of simultaneous plug‑ins, and Philippe Goutier himself suggests a minimum of a dual‑core CPU and 2GB RAM, while actually recommending a quad‑core CPU and 4GB of RAM. One important thing for PC users to note is that only Windows 7 is officially supported — if you're running Vista or XP you're on your own support‑wise, although in practice I experienced absolutely no problems running Wavelab 7 under Windows XP. Existing users of Wavelab 6 can run the two versions side by side, and Wavelab 7 can also import Master Section presets created in its predecessor, but, sadly, no other presets. Windows 7 Fix-itSteinberg Wavelab 7 £497 $500 pros • Four extremely versatile new workspace environments. • Very flexible resizeable and tabbable window arrangements. • Sonnox Restoration plug‑in suite. • Much improved multi‑core engine. • Now available for Mac! Cons • No official support for Windows XP or Vista. • No longer any printed paper manual. • Still no plug‑in automation. Summary This is a stunning update to an already mature product that should win plenty of new converts, especially now that it's finally available for Mac as well as PC. Fix Sound Problems Windows 7All contents copyright © SOS Publications Group and/or its licensors, 1985-2018. All rights reserved. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers. Web site designed & maintained by PB Associates & SOS.
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